Conclude

This time we are looking on the crossword clue for: Conclude.
it’s A 8 letters crossword puzzle definition. See the possibilities below.

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Possible Answers: END, STOP, CEASE, INFER, ENDUP, GATHER, DEDUCE, WRAPUP, WRAPITUP, WINDUP, IFER, COMETOACLOSE.

Last seen on: –LA Times Crossword 1 Jul 21, Thursday
Thomas Joseph – King Feature Syndicate Crossword – Mar 31 2021
Thomas Joseph – King Feature Syndicate Crossword – Mar 24 2021
Premier Sunday – King Feature Syndicate Crossword – Mar 21 2021
NY Times Crossword 15 Mar 21, Monday
Newsday.com Crossword – Mar 2 2021
USA Today Crossword – Feb 27 2021
Thomas Joseph – King Feature Syndicate Crossword – Dec 24 2020
Eugene Sheffer – King Feature Syndicate Crossword – Dec 14 2020
Eugene Sheffer – King Feature Syndicate Crossword – Nov 4 2020
Thomas Joseph – King Feature Syndicate Crossword – Jan 23 2020
Thomas Joseph – King Feature Syndicate Crossword – Dec 14 2019
Thomas Joseph – King Feature Syndicate Crossword – Dec 14 2019
Thomas Joseph – King Feature Syndicate Crossword – Aug 16 2019
Thomas Joseph – King Feature Syndicate Crossword – Aug 1 2019
Daily Celebrity Crossword – 4/26/19 Sports Fan Friday
Thomas Joseph – King Feature Syndicate Crossword – Feb 28 2019
LA Times Crossword 5 Feb 19, Tuesday
The Washington Post Crossword – Feb 5 2019
Newsday.com Crossword – Sep 11 2018

Random information on the term “END”:

Instrumental and intrinsic value are technical labels for the two poles of an ancient dichotomy. People seem to reason differently about what they ought to do (good ends) and what they are able to do (good means). When people reason about ends, they apply the criterion intrinsic value. When they reason about means they apply the criterion instrumental value. Few question the existence of these two criteria, but their relative authority is in constant dispute.

This article explains the meaning of and disputes about these two criteria for judging means and ends. Evidence is drawn from the work of four scholars. John Dewey and John Fagg Foster provided arguments against the dichotomy, while Jacques Ellul and Anjan Chakravartty provided arguments in its favor.

The word “value” is both a verb and a noun, each having multiple meanings. But its root meaning always involves normative qualities such as goodness, worth, truth. The word reports either the rational act of judging or individual results of judging the presence of such qualities.;:3:37–44

END on Wikipedia

Random information on the term “STOP”:

In music, a double stop refers to the technique of playing two notes simultaneously on a bowed stringed instrument such as a violin, a viola, a cello, or a double bass. In performing a double stop, two separate strings are bowed or plucked simultaneously. Although the term itself suggests these strings are to be fingered (stopped), in practice one or both strings may be open.

A triple stop is the same technique applied to three strings; a quadruple stop applies to four strings. Double, triple, and quadruple stopping are collectively known as multiple stopping.

Early extensive examples of the double-stop and string chords appear in Carlo Farina’s Capriccio Stravagante from 1627, and in certain of the sonatas of Biagio Marini’s op. 8 of 1629.

On instruments with a curved bridge, it is difficult to bow more than two strings simultaneously. Early treatises make it clear that composers did not expect three notes to be played at once, even though the notes may be written in a way as to suggest this. Playing four notes at once is almost impossible. The normal way of playing three or four note chords is to sound the lower notes briefly and allow them to ring while the bow plays the upper notes (a broken chord). This gives the illusion of a true triple or quadruple stop. In forte, however, it is possible to play three notes at once, especially when bowed toward the fingerboard. With this technique more pressure than usual is needed on the bow, so this cannot be practiced in softer passages. This technique is mainly used in music with great force, such as the cadenza-like solo at the beginning of the last movement of Tchaikovsky’s violin concerto.

STOP on Wikipedia